The render engine is V-Ray version 3.2 (and higher). The scene uses a V-Ray physical camera with the DOF effect. As the lighting in the scene, an HDRI environment map (included) was used VRayDomeLight. No additional light sources were used in the scene. The 3ds Max file contains customized materials for precious metals, diamonds and gemstones. 3ds Max Vray Render Presets Free Download 9/26/2019 Architectural Rendering with 3ds Max and V-Ray: Photorealistic Visualization Publisher: Focal 2010 ISBN PDF 224 pages Create high-quality photorealistic renders of architectural visualizations using 3ds Max and Vray with the project-based tutorials in this book. Also counting on the V-Ray RT Central Processing Unit & GPU motor, V-Ray for Sketchup 2017 can recover practically immediate comments. Also, digital camera and rendering presets can be found. In general V-Ray 2017 allows Sketchup 2017 clients to visualise the outcomes of these work, providing top-quality and fast rendering that could improve. Download includes Presets of 3Ds max high quality interior vray 3.6 render settings. In this preset the settings consists of vray 3.60 3ds max interior render settings file. Follow below steps to import the render settings properly: 1.Just download render presets from below link. 2.Extract using winrar software and just under assign render.
In this tutorial, Pratik Gulati will give you an insightful overview of interior lighting and rendering in 3d Studio Max using V-Ray. Pratik will discuss his work-flow and the techniques he uses to achieve realistic results. You'll learn how to setup interior lighting, create V-Ray shaders and the settings needed to render a modern bathroom scene realistically!
V-Ray; 3d studiomax + vray render presets file; Advanced Search. Closed Thread. Page 2 of 3 First 1 2 3 Last. Jump to page: Results 11 to 20 of 23 3Likes. -A computer with 64-bit Autodesk® 3ds Max® or 3ds Max Design ® versions 2011 or later; So i guess you'll be fine! I suggest you to upgrade 3ds max if you can, I find the.
- Sharing Vray Render Preset Files (.rps) It is a 2 minute fly through animation. I've been messing with a lot of my settings trying to optimize render time without compromising quality.
- Create a world class 3D Rendering with 3ds Max and Vray fast. Free download of my preview and final render setting presents. Basicaly he just says: 'buy your models, get the presets, follow what I did and you're good'.
Step 1
After opening 3D Studio Max, the first thing we need to do is change our units setup. So go to Customize>Units Setup... and choose 'US Standard - Feet w/Decimal Inches' as our units.
3ds Max Vray Render Settings Interior
Step 2
When working with with cg environments where we want photo real quality it is really important to make sure that our object scale is accurate, its plays an important role while achieving a good render. As you can see the scene is quiet simple.
It's a small bathroom mostly made up of simple shapes with a circular bathtub in center and a big glass door at the front, which is allowing environment light to enter. There is also an artificial cove light towards the left top side of the room.
3ds Max Vray Render Presets free. download full
Step 3
Next we'll assign V-Ray as our renderer. Press 'F10' and a new window will come up, this will allow you to enable V-Ray as the render engine and also enable V-Ray materials in the material editor.
3ds Max 2016 Vray Download
Step 4
Now assign a simple Grey V-Ray material to all the objects in the scene, this is to save time when setting up scene lighting and render settings. Since a plain material renders faster than reflective and glossy materials, which would be later applied to various objects.
Step 5
I am using a normal Max camera for this scene. To create a camera, go to the 'Cameras' tab in the Create menu and click on 'Free'. This will allow you to create a free camera (ie without a target.)
Step 6
We will be using a regular 35mm lens with a 54 degree field of view.
Step 7
Let’s discuss the placement for the various lights. Lights 1-4 are V-Ray lights which affect our scene directly, as we can see by the placement of the lights below.
Step 8
Here are the basic parameters of the lights that are changed:
- Color - The color of the light.
- Multiplier - Multiplier for the light color; this is also the light intensity in the units chosen by the Intensity units parameter.
- Invisible - This setting controls whether the shape of the VRayLight source is visible in the rendered result. When this option is turned off, the source is rendered in the current light color. Otherwise it is not visible in the scene.
- Subdivs - This defines the samples or the 'Quality' of the light, 8-10 should be used for test renders, and 15-20 for finals. Increasing the samples will increase your render times.
Step 9
Color settings of the lights.
Step 10
We also use a 'Target Direct Light', to mimic the light from the sun and sky.
Step 11
Here are the basic parameters that I've changed for the Direct light.
Step 12
For the cove area we have used a vray light and the vray light shader. To achieve the effect we create the vray light according to the size of the opening, and place the light facing downwards
Step 13
In the steps below we will do the render settings in V-Ray, press 'F10' and then in the 'Global Switches' rollout uncheck 'Default Lights '.
- Default lights - Allows you to control the default lights in the scene.
- Off - The default lights in the scene will be always switched off.
- In the 'Image Sampler (Antialiasing) rollout, select 'Adaptive DMC' for the 'Type', and 'Catmull-Rom' as the 'Antialiasing Filter'. Also change the 'Min' and 'Max: subdivs.
Image sampler refers to an algorithm for sampling and filtering the image function.
- Fixed - This sampler always takes the same number of samples per pixel.
- Adaptive DMC - This sampler takes a variable number of samples per pixel depending on the difference in the intensity of the pixels.
- Adaptive subdivision - This sampler divides the image into an adaptive grid-like structure and refines depending on the difference in pixel Intensity.
Also in the 'Color Mapping' rollout, change the color mapping 'Type' to 'Exponential', this mode will saturate the colors based on their brightness. This can be useful to prevent Burn-outs in very bright areas (for example around light sources etc). This mode will not clip bright colors, but will instead saturate them.
Step 14
In the 'Indirect Illumination (GI)' rollout, select 'Irradiance Map' and 'Light Cache' as the primary and secondary engine.
Step 15
- Irradiance Map - The basic idea is to compute the indirect illumination only at some points in the scene, and interpolate for the rest of the Points. The irradiance map is very fast compared to direct computation, especially for scenes with large flat areas
- Current preset - This dropdown list allows you to choose from several presets for some of the irradiance map parameters
- Hemispheric subdivs (HSph. subdivs) - This controls the quality of individual GI samples. Smaller values make things faster, but may produce Blotchy results. Higher values produce smoother images.
Step 16
- Light Cache - The light map is built by tracing many eye paths from the camera. Each of the bounces in the path stores the illumination from the rest of the path into a 3D structure, very similar to the photon map
In the 'Light Cache' rollout, put 3000 for 'Subdivs' and set the 'Number Of Passes' to 5 .
- Subdivs - This determines how many paths are traced from the camera. The actual number of paths is the square of the subdivs (the default of 1000 Subdivs means that 1 000 000 paths will be traced from the camera.)
- Number of passes - The light cache is computed in several passes, which are then combined into the final light cache. Each pass is rendered in a separate thread independently of the other passes. This ensures that the light cache is consistent across computers with a different number of CPUs. In general, a light cache computed with a smaller number of passes may be less noisy than a light cache computed with more passes, for the same number of samples; however a small number of passes cannot be distributed effectively across several threads.
Step 17
Now let's texture the scene, actually its quiet simple. The basic parameters that will be used in material are as follows:
- Diffuse - This is the Diffuse color of the material.
- Roughness - This parameter can be used to simulate rough surfaces, or surfaces covered with dust.
- Reflect - The reflection color.
- Reflection Glossiness - Controls the sharpness of reflections. A value of 1.0 means perfect mirror-like reflections; lower values produce Blurry or 'Glossy' reflections. Use the 'Subdivs' parameter below to control the quality of glossy reflections.
Step 18
The wood rack is made of a VRay Material with a Diffuse map and a slight amount of Reflection and Glossiness.
Step 19
The bath tub is a White VRay material with some glossy reflections.
Step 20
The Mosaic tiles are a reflective VRay material, with a Diffuse and Bump map assigned.
Step 21
The glass for the door is made of a white VRay material with white 'Reflection' and 'Refraction' colors and a 'Falloff' map.
Step 22
And finally the mirror is made of a White VRay material with white sharp reflections.
That concludes this look at interior lighting and rendering in 3ds Max & V-Ray, I hope you've found it helpful!
To get always good results with 3ds max (Mental ray) like shown in renderings on this page, you have to download and load the “DE-renderpresets”. This download also contains the 3ds max scene, used for these renderings. To be able to use “renderpresets” and “3ds max scene”, you need 3ds max 2015 or higher version.
How To Use
1. Download Renderpresets: DE_renderpresets_160411_3ds_2016
DE_Presets_141022_3ds_2015
2. Unzip Renderpresets
3. Optional: store renderpresets for better organisation under: “Bibliothek/ Dokunente/ 3dsMaxDesign/ renderpresets” (Library/ documents/ 3dsMaxDesign/renderpresets)
4. Open renderpresets in 3ds max 2015 or higher under window “Render Setup/ Common/ Preset/ Load presets”
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Choose different render qualities
All “DE renderpresets” are optimized for interior spaces. It is recommended to start with renderpreset: “DE_1_Standard_Daylight”
- “DE_1_Standard_Daylight_MentalRay”: gives you a good quality in relation to fast rendertime
- “DE_2_Low_MentalRay”: Fastes version but also causes jagged edges
- “DE_3_Medium_Presentation_MentalRay”: like “DE_1-Standard” but smoother edges and more rays for light calculation
- “DE_4_High_Presentation_LittleLightInScene_Mentalray”: smoother edges and many more rays. Good, if you have really small windows and little light comes into your scene. With this your surfaces are often not smooth or have dots.
- “DE_5_Standard_ArtificialLight”: like “DE1_Standard” but limits the amount of photons per light
- “DE_6_Standard_ManyArtificialLightsInScene”: you need many artificial lights in your scene. Than this setting saves time and doesn´t creat dots and non smooth surfaces
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Issues with render quality
When you have very little light in your scene through small window openings you can eather use “sky-portals” od use renderpreset “DE4_High_Presentation_LittleLightInScene” to avoid non smooth surfaces
When you have many lights in your scene (room), than you can save rendertime with “Renderpreset 6” (desn´t use final gather)
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Image precision (antialiasing)
You can change the image precision between low, medium (standard) and high (never use very high). With this you adjust the jagged and smooth edges in antialiasing.
Abstract and fast render qualities
You can create contour and other kind of more abstract renderings and probably change the look even more with post production.
- “DE_7_ContourRendering_Mentalray”
- “DE_8_FastAbstractClay_Quicksilver”
- “DE_9_FastAbstractTech_Quicksilver”
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Renderscene for objects
You can use this scene for an easy way of rendering “objects” in a lighting studio. You can either illuminate with “photometric lights” (preset) or with “sky portals” (faster).
Important if you use “renderpresets”:
Download: DE_renderscene_object_WS2014_02